On the outskirts of Brooklyn, Frankie, an aimless teenager, suffocates under the oppressive glare cast by his family and a toxic group of delinquent friends. Struggling with his own identity, Frankie begins to scour hookup sites for older men. When his chatting and webcamming intensify, he begins meeting men at a nearby cruising beach while simultaneously entering into a cautious relationship with a young woman. As Frankie struggles to reconcile his competing desires, his decisions leave him hurtling toward irreparable consequences. Eliza Hittman’s award-winning Sundance hit is a powerful character study that is as visually stunning as it is evocative.
Let’s just say this up front: if you don’t like foul-mouthed comedies packed with butt-kicking action anchored by two of the most badass and funny guys working in the movies today, THE HITMAN’S BODYGUARD will not be for you.
But we suspect that you’re exactly the kind of person who enjoys blue banter between banging bullets, so THE HITMAN’S BODYGUARD is exactly for you.
Ryan Reynolds stars as a special agent whose career has been spent trying to nail one guy - international assassin Samuel L. Jackson. Well, Sam L. is now in custody and Reynolds finds himself in a peculiar situation. He has to escort his nemesis to the International Court, all the while dodging and defeating killers, mercenaries and assassins who want to silence Jackson before he can testify.
Jammed with jokes, car chases and shoot-outs, THE HITMAN’S BODYGUARD is sure to trigger big laughs and big excitement.
Ingrid Thorburn is an unhinged social media stalker with a history of confusing "likes" for meaningful relationships. Taylor Sloane is an Instagram-famous "influencer" whose perfectly curated, boho-chic lifestyle becomes Ingrid's latest obsession. When Ingrid moves to LA and manages to insinuate herself into the social media star's life, their relationship quickly goes from #BFF to #WTF.
Raw and electric, this street-level bank robbery movie will forever change the way you look at Robert Pattinson (TWILIGHT). In GOOD TIME he plays a twitchy, edgy crook who is desperate to save his brother from the psych ward - and he will do whatever it takes, no matter how illegal.
Reminiscent of the gritty New York City thrillers of the ‘70s but with the speed and fury of modern cinema, GOOD TIME is tense and exciting, wringing anxiety out of even the smallest scenes. It’s the latest film from the indie darling directing duo, Josh and Benny Safdie, but this doesn’t feel like a standard slow indie feature. It’s big and exciting, unafraid of its pulpy crime roots and yet willing to go deep into its roster of flawed, all-too human criminal characters.