Directed by Autumn de Wilde (most notably a portrait artist for musicians, see Elliot Smith, Beck, and Jenny Lewis), this comedy of manners is a delightful satire of love and propriety in the bright pastel drawing rooms of high society. With sharply drawn female leads and quick-witted dialogue, the film stays true to Jane Austen’s ideals of female independence while infusing the story with a humorous modern flair.
With relatable drama, stunning set pieces, and heaps of stiff-upper-lip attitude, EMMA is a gorgeous adaptation for the ages.
When Ward Phillips is sent to survey the county land and water outside Arkham, he stumbles on Lavinia Gardner and her family. She lives on an old farm with her parents, brother, and an assortment of horses, dogs, alpacas, and other animals. The only other person who lives nearby is Ezra, a quirky off-the-grid hippie stuck in time. When a meteorite lands on the Gardners’ front lawn, no one can make heads or tails of it. A thunderstorm hits the next night and the lightning seems drawn to the meteorite, striking it over and over. Meanwhile, Ward discovers strange anomalies in the water supply. While the meteorite itself shrinks until it completely disappears, the fallout is just starting, and it will infect every living thing on the Gardners’ land. Nothing and no one is safe.
The combination of H.P. Lovecraft, Richard Stanley, and Nicolas Cage is a match made in genre film heaven; all three are all-star Hall of Famers in their own right. Stanley hews pretty closely to the essential elements of Lovecraft’s story, while simultaneously modernizing and putting his own distinct twists on it. The film is beautifully shot and spectacularly complemented by the special effects, and when the shit really starts to hit the fan, the sound design combines to create a truly otherworldly and unsettling experience. COLOR OUT OF SPACE is enthralling: a strange, psychedelic canvas of grotesque terrors and alien enigmas sure to put a smile on your face. Strange days, indeed.
Sh*t’s about to get real. After their explosive antics in Michael Bay’s BAD BOYS and BAD BOYS II, Will Smith and Martin Lawrence are back to battle one of their most daunting foes yet: middle age. Oh, and also a revenge-fueled drug kingpin.
With pulse-pounding direction from up-and-coming duo Adil El Arbi and Bilall Fallah (GANGSTA) and a supporting cast featuring new and familiar faces (including Vanessa Hudgens and Joe Pantoliano), Smith and Lawrence are back to show that, even though they may be a bit older, they’re still BAD BOYS FOR LIFE.
A charismatic New York City jeweler always on the lookout for the next big score, makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides, in his relentless pursuit of the ultimate win.