Everybody’s Into Weirdness: ALICE, SWEET ALICE (1976)
Alfred Sole's first non-pornographic picture goes beyond slasher.
Everybody's Into Weirdness
Everybody’s Into Weirdness: DEADLY FRIEND (1986)
Revisit Wes Craven's tale of robot zombie love.
Everybody’s Into Weirdness: LAST HOUSE ON THE LEFT (1972)
The Alamo Drafthouse says goodbye to Wes Craven with the filmmaker's horror debut.
Everybody’s Into Weirdness: PIECES (1982)
Jacob takes on Dick Randall's illogical masterwork, PIECES.
Everybody’s Into Weirdness: LADIES AND GENTLEMEN…THE FABULOUS STAINS (1982)
See the birth of the riot grrrl punk movement in Lou Adler’s film.
Everybody’s Into Weirdness: FUTURE-KILL (1985)
Austin splatterpunk goes DIY with Ronald W. Moore's sole feature film.
Everybody’s Into Weirdness: ALIENS (1986/70mm)
This week, Jacob Knight revisits James Cameron's superlative sci-fi/action sequel on 70mm.
Everybody’s Into Weirdness: FRIGHT NIGHT (1985)
It's FRIGHT NIGHT's 30th birthday, and the Alamo celebrated it with a 35mm screening.
Everybody’s Into Weirdness: Gone With the Pope (1976/2010)
On Duke Mitchell’s rescued masterpiece of outsider art.
Everybody’s Into Weirdness: KENTUCKY FRIED MOVIE
The scattershot, take-no-prisoners gagfest from the makers of AIRPLANE!.