Focus Features

The latest Wes Anderson film is the beautiful, sweet and gentle work of a master.

Bill turns into Franklin Delano Roosevelt in the trailer for this awards baiting bit of history.

It looks like what it is.

Get excited, people.

Tomas Alfredson's film version of John Le Carre's spy classic brings intelligent, understated thrills.

An upper end scifi movie shares a plot description with a terrible, terrible found footage film.

HANNA isn’t just an ass-kicking action film, it’s also one of the year’s first real top ten contenders.

PRIDE AND PREJUDICE director Joe Wright steps into the world of action movies and gets it right. Here he talks about shooting without sound, scoring his movie to the Chemical Brothers, and about learning just because a film is an action movie doesn’t mean it needs to be a “chest-beating, tit-f***ing, gun-loving Republican movie.”

Kevin Macdonald’s Roman buddy film isn’t bad, but it ultimately doesn’t work.

The director of THE EAGLE, the latest film about the lost Ninth Legion of Rome, gets into why Rome is in the zeitgeist and how a buddy movie is like a romantic comedy.

If only Saoirse Ronan’s character in THE LOVELY BONES knew as much kung fu as her character in HANNA, we could have all been saved a lot of trouble.