Glenda Jackson Is Shakespeare’s KING LEAR In A Stormy And Puzzling Production
A magnificent cast keeps Sam Gold’s befuddling KING LEAR in motion.
Caroline Cao
Join Date: Nov 30, 2016 • Last Entry Date: May 03, 2019 • Articles: 28
Caroline Cao is a Houstonian Earthling surviving under the fickle weather of Texas. When she's not angsting over her first poetry manuscript or a screenplay about space samurai, she's doing cheesy improv performances for BETA Theater, experimenting with ramen noodles, doing YouTube reviews of books, or hollering vocal flash fics on Instagram. Her aspirations in life include: becoming the next Margaret Atwood, mastering geekspeak, finishing everything on Netflix, completing Star Wars fanfiction, and mugging people with tickets to “Hamilton.”
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FROZEN On Broadway Is Played-Safe Passable
The latest Disney Broadway adaptation is entertaining while short of enchantment.
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The Little That Happens In Broadway’s THE BAND’S VISIT Is Grand
Words and lyrics can’t fully explain the spell of this Tony Award Best Musical of 2018.
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TO DUST Review: A Corporeal Comedy With Odd Couple Matthew Broderick And Géza Röhrig
Matthew Broderick and Géza Röhrig slaughter and bury a pig for a decomposition experiment.
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MEAN GIRLS On Broadway: Shiny, Glittery, And Human
Broadway reinvigorates Tina Fey’s classic teen comedy at the August Wilson Theatre.
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Translating CRAZY RICH ASIANS From Book To Screen
How the adaptation of Kevin Kwan’s breakout novel accentuated the cultural conflict in the pages.
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THE BREADWINNER For The Academy Award In Best Animation
Cartoon Saloon’s THE BREADWINNER should win the Oscar for Best Animated Feature Film of 2017.
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End Of An Era: Farewell, SAMURAI JACK
After a hiatus lasting over a decade, SAMURAI JACK attains closure.
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ONLY YESTERDAY: The Underrated Coming-Of-Age Tale Of Studio Ghibli
The past catches up in Isao Takahata’s underappreciated ONLY YESTERDAY.
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BEAUTY AND THE BEAST: From Two To Three-Dimensional
The new BEAUTY AND THE BEAST takes a stab at being real.
