TIFF 2017 Review: JANE Proves There’s Still Room For One More Jane Goodall Doc
Brett Morgen’s magical take on the primatological icon shines.
Join Date: Jan 10, 2017 • Last Entry Date: Dec 14, 2017 • Articles: 78
Jason Gorber is a Toronto-based film journalist and critic. With over two decades of experience writing about the moving image, he is currently the featured critic at ScreenAnarchy.com, appears on CTV NewsChannel’s weekly Sunday movie segment, is a senior critic at DorkShelf.com and contributes to Cineplex.com, Mashable, Indiewire, Esquire and several other prominent sites. Jason appears regularly on CBC Radio, WGN, and has appeared in numerous print publications.
Jason holds a Masters Degree in Philosophy, having written his thesis on Film Theory and Criticism. You can follow him on Twitter at @filmfest_ca
Brett Morgen’s magical take on the primatological icon shines.
Del Toro’s love letter to monsters is one of the year’s best films.
Robbie is a revelation in this brilliant, blackly comedic biopic.
This fine coming of age dramedy serves as an excellent directorial debut from the indie darling.
Mike White’s latest is a masterwork balancing comedy with introspection.
David Gordon Green crafts an exemplary character piece about the effects of the Boston Marathon Bombing.
Sorkin’s directorial debut delves into the world of underground poker.
Armando Iannucci’s latest film is a scathing historical look that eerily echoes the present day.
Clooney brings scathing vintage Coen script to screen that feels frighteningly contemporary.
The star and his collaborators open up about one of the best films of the year.
The duo chat about their collaboration to bring some mad nastiness to midnight screens