Vulture Festival Event Recap: Elisabeth Moss Breaks Down Her Performance In HER SMELL
Elisabeth Moss doesn’t care if you like this character or not.
Join Date: Oct 20, 2016 • Last Entry Date: Nov 12, 2019 • Articles: 50
Elisabeth Moss doesn’t care if you like this character or not.
The French filmmaker believes that dance says what dialogue can’t.
Why director Jenn Wexler and her punk as fuck debut feature are ones to watch out for.
The remake of the 1982 cult classic is another solid 2018 story about the dissolution of the family unit.
How a story about a man and his cat becomes a moving demonstration of positivity against all odds.
On why the best scene in Snyder’s directorial debut is the opening credits sequence.
The complicated past of Harley Quinn and how a female director on BIRDS OF PREY will shine the right light on her cinematic future.
On the hammer-wielding men in Lynne Ramsay’s Sundance stunner and Park Chan-wook’s comely comeuppance story.
How Steven Spielberg improved upon Peter Benchley’s best seller.
A brief chat with one of Hollywood’s best.
The up-and-coming director discusses his great debut.