ACTION POINT: Buy The Ticket, Take The Ride
Revisit amusement park thrills and chills with these top five suggestions.
Join Date: Mar 21, 2017 • Last Entry Date: Jan 30, 2020 • Articles: 63
Marisa Mirabal is an Austin-based writer whose work has appeared on Collider, /Film, and Fangoria. She has a penchant for horror, documentaries, and '80s sci-fi movies. When she isn't conjuring up film analysis, she can be found reading, spinning film scores on vinyl, and sipping whiskey deep in the heart of Texas.
Revisit amusement park thrills and chills with these top five suggestions.
Michael Crichton’s directorial debut laid a formative foundation for sci-fi and the beloved HBO series.
Director Rob Greenberg’s silver screen debut is ambitious in representation but gets lost at sea in its attempt to revive an already questionable classic.
Writer/director Sergio G. Sánchez delivers a convoluted tale of a family haunted by its past.
Vintage costume design delivers the creepy tone that is otherwise disregarded in Frank Oz’s ridiculous robot remake.
Writer/Director Madeline Olnek restores Emily Dickinson’s true nature as an LGBTQ hero and model for new wave feminism.
Director Morgan Neville revisits the radically kind ideas of Fred Rogers and his fight for substantial childhood television.
Director Tommy Avallone compiles personal accounts to explore the significance behind Murray’s mythology.
The punk horror subgenre film gets lost in the woods and in its overall translation.
The childhood friends turned professional collaborators discuss their influences.
Director Ari Aster assaults the senses by tapping into humanistic themes through a unique craftsmanship of tension and trauma.