Patrick Stewart was busy.

You have to see it to believe it, and you still might not believe it.

Faces get sliced, priests have sword fights, a story gets told.

This is one weird-ass movie, folks.

Okay, he quietly cries like your dad, but the point stands.

Success?

This portrait of rural Brazilian life has a bloody kick in its back half.

In which Leigh Whannell re-contextualizes a classic monster.

There’s untapped potential in this Jane Austen adaptation

It’s rife with the studio’s usual invention, if a little too much elf-control.