Collins’ Crypt: Why I Love The Bonus Features
There's always more to learn about your favorite movies!
There's always more to learn about your favorite movies!
The OG Harry Warden is back in theaters - want to join me?
Tom Atkins in 3D is everything cinema was ever made for.
It has plenty of fans, but BC still feels this slasher is underappreciated.
BC reminds us that you can't have a heart without blood.
As the EVIL DEAD remake looms, Devin looks at eight horror remakes that got it right.
Slashers tend to star in franchises, but not every killer gets a sequel. Brian examines some of the one and done slaughtering maniacs.
Brian looks back at the great slasher films of 1981, including THE PIT, DEAD & BURIED, MY BLOODY VALENTINE and DON’T GO NEAR THE PARK!
With horror, the first is usually the best when it comes to sequels, but it applies to the current 3D craze as well. Since MY BLOODY VALENTINE debuted in early 2009 (long before the “game-changer” known as AVATAR), we’ve had a handful of horror films in 3D, and surprisingly, many of them were shot that way. SAW 3D, THE FINAL DESTINATION, and RESIDENT EVIL: AFTERLIFE, like BLOODY, were shot with actual 3D cameras. The only two horror post-converts were MY SOUL TO TAKE and (ironically) PIRANHA 3D. Considering the glut of 3D films clogging the marketplace (over two dozen in 2010 between real and converts), that’s not a bad ratio. But should horror stick to 2D?