Cannes 2018 Review: BLACKkKLANSMAN Is Funny, Infuriating Agitprop
In which Spike Lee writes modern history with lightning.
In which Spike Lee writes modern history with lightning.
Krumping, LSD, soft incest — Gaspar Noé is in the house, baby!
This rather blatant knock-off arrives roughly two decades too late.
Director Morgan Neville revisits the radically kind ideas of Fred Rogers and his fight for substantial childhood television.
Director Tommy Avallone compiles personal accounts to explore the significance behind Murray’s mythology.
This disparate mash-up of recognizable elements unfortunately never becomes more than pretty gibberish.
The acting's bad, the story's half-baked, and Pinhead's barely in it. And yet...
Steven Spielberg celebrates shoe-leather newspaper reporting with a bone-dry chronicle of the publishing of the Pentagon Papers that unexpectedly doubles as a tale of female empowerment.
PT Anderson returns with a seductive, deeply dysfunctional love story about a domineering artist and the woman who refuses to come second to his genius.
Stefan Ruzowitzky‘s midnight movie hybrid is a thrilling assault on the senses.
Michael O'Shea's frightening freshman horror feature is an incredibly moving meditation on the nature of pain and loss.
"O Discordia", indeed.