Jim VanBebber's street crime saga is DIY scumbag cinema at its very finest.

Why the hit found footage film is still one of the scariest genre riffs in modern cinema history.

Tom Savini's splattery redux of Romero's classic zombie picture is actually quite good in its own right.

Jamie Lee Curtis' return to being a slasher heroine helped produce a Canuxploitation drive-in hit.

Bill Lustig's first XXX feature helped the exploitation king learn the ropes of the picture business.

Robert Forster and Fred Williamson are men possessed by vengeance and violence is Bill Lustig's gnarly street opera.

MANIAC COP co-conspirators Larry Cohen and Bill Lustig reunite for a cartoony slasher that plays like Lucio Fulci adapting a Springsteen song.

Paul W.S. Anderson does his own "HELLRAISER in space", and it's better than the actual "HELLRAISER in space".

Allan Moyle's queer coming of age story is also a love letter to the grimy days of 42nd Street's past.

Sleaze maestro Ruggero Deodato delivers his answer to LAST HOUSE ON THE LEFT ('72) and actually outdoes that notorious Video Nasty's brutality quotient.