Louis Malle's 1992 film explores reckless lust and a destructive mutual obsession.

The underseen INSERTS, about porn during the transition from silents to talkies, features a lot of famous young faces... and breasts. 

Ill-advised, inexplicable, and deeply unsexy, Richard Rush's COLOR OF NIGHT is the camp classic that never was.

Takashi Miike hitting the gross-sex wall as hard as he can.

How Golan and Globus sexed up their kitsch musical with dancing, double entendres and date rape.

In 1982, Phil just wanted to see some naked ladies. What he got was a troubling miseducation on love and sexuality in the form of two sleazy erotic thrillers.

"Nature is Satan's church."

How FIFTY SHADES' success at the box office is part of a giant step back for sex in film.

Pain don't hurt, but I bet those rocks do.

BEAUTIES AND THE BEAST promises Sasquatch sex but leaves the big guy (and the audience) high and dry.