Fantastic Fest Review: APPLECART Is Female-Centric Horror That’s Unafraid To Get Goofy
Barbara Crampton leads the gory charge against self-serious indie fright films.
Barbara Crampton leads the gory charge against self-serious indie fright films.
The whole jolly gang on their warped high school zombie Christmas musical.
The award-winning short hit Fantastic Fest, and we talked to the guys who made it.
The team behind KLOWN delivers gross out chuckles while wearing goofy glasses.
Michael Matthews’ POC-centric Neo-Western subverts the old-school Wild Frontier film while paying homage to its genre predecessors.
On the mysterious title, the strong female characters, and the politically charged horror.
Natalie Erika James talks inspiration and metaphor while the horror genre welcomes another strong female director.
Justin Benson and Aaron Moorhead return with another existential supernatural drama.
Jennifer Proctor's editing experiment is an unsettling visual essay on safe spaces.
You can follow along with the mind of a teen, right?
Armando Iannucci brings staged satire to the screen.