THE OTHER SIDE OF THE WIND Review: The Rest Is History (Shot Missing)
Orson Welles' final feature is an inscrutable bit of self-mythologizing.
Orson Welles' final feature is an inscrutable bit of self-mythologizing.
At long last, THE OTHER SIDE OF THE WIND will be released, and we've got the trailer to prove it.
All hail Bob Murawski, true Soldier of Cinema.
Ideas and egos collide disastrously in the 1967 Bond spoof.
The classic film finally plays at the home of the man it targeted.
Next Tuesday, a company you’ve probably never heard of (I know I hadn’t) is putting Orson Welles’ THE STRANGER out in a Blu-ray/DVD combo pack that costs more than two bucks. This is a very good thing.
Criterion’s big box set release of the year hits the street tomorrow (Nov. 23rd), and it’s a tightly-packed journey through a particularly important period in American cinema. Everyone has heard of the big-name movies found here (EASY RIDER, FIVE EASY PIECES, THE LAST PICTURE SHOW, and THE KING OF MARVIN GARDENS), but lesser-known pictures like HEAD (featuring The Monkees), DRIVE, HE SAID (Jack Nicholson’s directorial debut), and Henry Jaglom’s debut A SAFE PLACE (which co-stars Orson Welles) are all equally important parts of the story behind them all.