EMMA. And The Alluring Oddness Of Anya Taylor-Joy
From worshipping Satan to running high society, she gets the job done.
Directed by Autumn de Wilde (most notably a portrait artist for musicians, see Elliot Smith, Beck, and Jenny Lewis), this comedy of manners is a delightful satire of love and propriety in the bright pastel drawing rooms of high society. With sharply drawn female leads and quick-witted dialogue, the film stays true to Jane Austen’s ideals of female independence while infusing the story with a humorous modern flair.
With relatable drama, stunning set pieces, and heaps of stiff-upper-lip attitude, EMMA is a gorgeous adaptation for the ages.
From worshipping Satan to running high society, she gets the job done.
More than just a 19th century tale in 20th century clothing.
There’s untapped potential in this Jane Austen adaptation
When you’re a sinner, might as well sin.
The BABY DRIVER director's latest is coming together nicely.
Willis, Jackson, and McAvoy return.
The Spanish horror movie locks us into a haunted estate.
These girls are about to get Anton Yelchin in a ton of trouble.
When good breeding goes bad.
Anya Taylor-Joy and Olivia Cooke dazzle in this dark comedy.
They're getting the band back together.